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Nike's swoosh logo is so ubiquitous in our society, it has ironically become practically invisible: Who notices something that is everywhere? But two photographs in the new exhibit at the Ezra and Cecile Zilkha Gallery, at Wesleyan University in Middletown, use the logo in a startling, unignorable way.
"Scarred Chest," aside Hank Willis Dylan Thomas, shows the trunk of a African-American man with nine swoosh-shaped scars. Beside it on duty the gallery wall hangs doubting Thomas' "hoops and Chain," which shows a Black person man's Nike-clad base in chains to a basketball game
Nike's swoosh logo is so ubiquitous in our society, it has ironically become practically invisible: Who notices something that is everywhere? But two photographs in the new exhibit at the Ezra and Cecile Zilkha Gallery, at Wesleyan University in Middletown, use the logo in a startling, unignorable way.
"Scarred Chest," aside Hank Willis Dylan Thomas, shows the trunk of a African-American man with nine swoosh-shaped scars. Beside it on duty the gallery wall hangs doubting Thomas' "hoops and Chain," which shows a Black person man's Nike-clad base in chains to a basketball game
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